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quinta-feira, 28 de outubro de 2010

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A hard-rock/progressive outfit who formed in 1969 from the ashes of Liverpudlian band The Business, Albert 1, released in 1971, featured future Thin Lizzy, Caravan and Camel keyboard player Jan Schelhass, future Uriah Heep drummer Lee Kerslake, guitarist Neil Ford and bass guitarist David Paull (soon to join Jonesy). Produced by Yes and ELP engineer Eddie Offord. Initially known as The Business, Lee Kerslake had joined from Toe Fat. Their varied album, which was prouced by Eddie Offord, featured a laborious selection of introverted riffs and one song, Too Much..., which was very Beatle-ish. They split in November 1971. Jan Schelhaas was later in The Gary Moore Band and Caravan, whilst Lee Kerslake went on to Uriah Heep. 

01 - Got No Time
02 - You
03 - Too Much Country Water
04 - Lead Me Back
05 - Listen To The Music
06 - Ilsington Farm
07 - Try To Reach You
08 - Brand New World
09 - Mister Jesus

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New Riders of the Purple Sage is an American country rock band. The group emerged from the psychedelic rock scene in San Francisco, California in 1969, and its original lineup included several members of the Grateful Dead.(wiki) "Anyone who enjoyed the Grateful Dead's Workingman's Dead or American Beauty and wanted more, then or now, should get the New Riders of the Purple Sage's eponymous release and follow it with the Riders' next two albums. With Jerry Garcia and Mickey Hart in tow, and Jefferson Airplane's Spencer Dryden playing what drums Hart didn't, plus Commander Cody at the piano, New Riders of the Purple Sage is some of the most spaced-out country-rock of the period. Even ignoring the big names working with John Dawson, David Nelson, and Dave Torbert, however, this is a good record, crossing swords with the Byrds, the Burrito Brothers, and even Crosby, Stills, Nash & Young and holding its own. Maybe a few of the cuts (especially "Henry") are predictable at times, but mostly, New Riders of the Purple Sage was full of surprises then (the amazingly sweet, brittle guitars, in particular) and has tunes that have held up well: "Portland Woman," "Whatcha Gonna Do," "I Don't Know You," and "Louisiana Lady," not to mention the eight leisurely paced minutes of acid-country found in "Dirty Business." There are no added notes, but they'd hardly be vital -- the album is an open book." (Bruce Eder,AMG) 

01 - I Don't Know You
02 - Whatcha Gonna Do
03 - Portland Woman
04 - Henry
05 - Dirty Business
06 - Glendale Train
07 - Garden Of Eden
08 - All I Ever Wanted
09 - Last Lonely Eagle
10 - Louisiana Lady

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Strawberry Alarm Clock is a psychedelic rock band from Los Angeles best known for their 1967 hit "Incense and Peppermints". The group took its name as an homage to the Beatles' psychedelic hit "Strawberry Fields Forever", reportedly, at the suggestion of their record company Uni Records. They are often thought of as a "one-hit wonder" and were instrumental in the development of bubblegum pop music in the United States. Lee Freeman on vocals, guitar, and harmonica, Ed King on guitar, Gary Lovetro on bass, Gene Gunnels on drums, Mike Luciano on tambourine, Steve Rabe on lead guitar. The group disbanded in 1971 

01 - Incense And Peppermints
02 - Rainy Day Mushroom Pillow
03 - Sit With The Guru
04 - Tomorrow
05 - Black Butter - Present
06 - Love Me Again
07 - Pretty Song From 'psych-Out'
08 - The World's On Fire
09 - Birds In My Tree
10 - The Birdman Of Alkatrash
11 - Small Package
12 - The Saw The Fat One Coming
13 - Strawberries Mean Love
14 - Desiree
15 - Barefoot In Baltimore
16 - Paxton's Back Street Carnival
17 - Hummin' Happy
18 - Sea Shell
19 - (You Put Me On) Stand By
20 - I Climbed The Mountain
21 - Three

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Mad River formed at Antioch College in Yellow Springs, Ohio in December 1965. The band took its name from the nearby Mad River. By March 1967 they had relocated to Berkeley, California. There they came to the attention of cult author Richard Brautigan who launched the band into the growing hippie culture. They released an EP on the independent Wee label before signing a contract with Capitol Records in February 1968. The group's lead songwriter was Lawrence Hammond, but all of the members sang vocals. They released two albums before disbanding in July 1969. David Robinson, guitar, Thomas Manning, 12 string bass & Vocals, Gregory Leroy Dewey, Drums, Rick Bochner, Vocals, Guitar and Lawrence Hammond, lead Vocals & bass. Recorded in 1968 at Golden State Recorders, San Francisco. 

01 - Merciful Monks
02 - High All The Time
03 - Amphetamine Gazelle
04 - Eastern Light
05 - Wind Chimes
06 - The War Goes On
07 - Hush, Julian

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The Rats are known by very few listeners, and they most likely know about them because Mick Ronson was a member before playing on David Bowie's highly influential early-1970s albums. Formed in Hull, England, the first version of the group did not include Ronson, but did manage to release a couple of singles on Columbia U.K. in 1965. This included a tough cover of "Spoonful" that — although the liner notes of Pebbles Vol. 6 assert the contrary — did not feature Ronson. A decent but unexceptional R&B/rock unit, the Rats continued to slog it out in Hull over the next few years, with Ronson joining in 1966. Although the Rats stayed together (with varying lineups) through the rest of the '60s, they didn't make any more records, although a few unreleased tracks finally surfaced in the 1990s. They evolved into a heavier blues-rock combo, Ronson in particular showing the influence of Jeff Beck, whose group the Rats opened for at a March 1968 show. By 1969, onetime Rats drummer John Cambridge was in Junior's Eyes, which briefly became David Bowie's backup band. Cambridge recommended Ronson to Bowie as a lead guitarist, and Ronson's crunchy style was a key ingredient on Bowie's 1970 album The Man Who Sold the World. Woody Woodmansey, who had replaced John Cambridge as drummer in the Rats in 1969, also played on the record.(Richie Unterberger). This album is a 1998 compilation of the band's work over the years. 

01 - Spoonful
02 - I've got my eyes on you Baby
03 - I've gotta see my Baby
04 - New Orleans
05 - The Rise and Fall of Bernie Gripplestone
06 - Stop Get a Hole of Myself
07 - Guitar Boogie
08 - Morning Dew
09 - Early in Spring
10 - Telephone Blues
11 - It Ain't Easy
12 - I Feel Free
13 - The Hunter
14 - Colour Me
15 - Life's a River

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Formerly Fat Harry are one the forgotten greats of late '60s British rock. The band was formed in London in 1969 by ex-Country Joe & the Fish bassist Bruce Barthol and two old friends from the Berkeley California folk music scene, Gary Petersen and Phil Greenberg. Fat Harry was soon signed up by the original Pink Floyd management company. Playing a highly idiosyncratic brand of Americana that frequently experimented with jazz time signatures, the band played at two of the now legendary free concerts in Hyde Park, the 1970 Bath Festival, Phun City and many of the clubs of the era such as The Marquee in London. Laurie Allen – Drums, Bruce Barthol – Bass, Phil Greenberg Vocals, Guitar, George Khan – Sax, Gary Peterson - Vocals, Guitar, Keyboards, Percussion

01 - Passing The River
02 - Mt Friend Was A Pusher
03 - About My Life
04 - Please Go Away
05 - I Saw The Rising Of The Bell
06 - Tell Me All About It
07 - Captain Heart
08 - Goodbye For Good

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