The Who are an English rock band formed in 1964 by Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums). They became known for energetic live performances which often included instrument destruction. The Who have sold about 100 million records and have charted 27 top forty singles in the United Kingdom and United States with 17 top ten albums, with 18 Gold, 12 Platinum and 5 Multi-Platinum album awards in the United States alone. My Generation is the debut album by The Who, released by Brunswick Records in the United Kingdom in December 1965. It was released in the United States by Decca Records in April 1966 as The Who Sings My Generation with a different cover and a slightly different track listing. The album was made immediately after The Who got their first singles on the charts and according to the booklet in the Deluxe Edition, it was later dismissed by the band as something of a rush job that did not accurately represent their stage performance of the time. On the other hand, critics often rated it as one of the best rock albums of all time: in 2003, the album was ranked number 236 on Rolling Stone magazine's list of the 500 greatest albums of all time, and named the second greatest guitar album of all time by Mojo magazine. In 2004, it was #18 in Q magazine's list of the 50 Best British Albums Ever. In 2006, it was ranked #49 in NME's list of the 100 Greatest British Albums. In 2004, the title track was #11 in Rolling Stone magazine's list of the 500 greatest songs of all time.
01 - Out In The Street
02 - I Don't Mind
03 - The Good's Gone
04 - La La La Lies
05 - Much Too Much
06 - My Generation
07 - The Kids Are Alright
08 - Please, Please, Please
09 - It's Not True
10 - The Ox
11 - A Legal Matter
12 - Instant Party (Circles)
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Mark–Almond were an English band of the late 1960s and early 1970s, who worked in the territory between rock and jazz. In 1970 Jon Mark and Johnny Almond formed Mark-Almond (the two began playing together in John Mayall's Bluesbreakers band in 1969). The melancholy tones of saxophonist Almond were an integral part of the group's sound, and Almond frequently played flute as well, including the bass flute. Characterized by a blend of blues and jazz riffs, latin beats, and a mellow rock aesthetic, and in contrast to the heavier guitar-driven rock of his contemporaries, composer and band leader Mark worked at producing warm and melodic works. Mark-Almond's first two albums, Mark-Almond (1971) and Mark-Almond II (1972) were recorded for Bob Krasnow's Blue Thumb label, and were noted for their embossed envelope-style album covers. 01 - The Ghetto 02 - The City (A) Grass & Concrete (B) Taxi To Brooklyn (C) Speak Easy It's A Whiskey Scene 03 - Tramp And The Young Girl 04 - Love (A) Renaissance (B) Prelude (C) Pickup (D) Hotel Backstage 05 - Song For You LINK |
Quintessence was a rock band formed in April 1969, by Raja Ram in Notting Hill, London, England. The style was a mixture of jazz and progressive rock with an influence of music from India. Quintessence was among the first true progressive rock outfits signed by Island Records. The original line-up included the Australian born, Shiva Shankar Jones (voice, keyboards, percussion), Raja Ram (flute, percussion), Sambhu Baba (bass, guitar), Maha Dev (guitar), Allan Mostert (lead guitar, bass, sitar), and Jake Milton (drums, percussion). All of them, in addition to a common interest in Indian music, also shared the Hindu faith. Quintessence were tagged a 'spiritual' band, but were playing New Age rock before the term was born. Quintessence is the second release of the band. 01 - Jesus, Buddha, Moses, Guaranga 02 - Sea Of Immortality 03 - High On Mt. Kailash 04 - Burning Bush 05 - Shiva's Chant 06 - Prisms (Conception Barham) 07 - Twilight Zones 08 - Maha Mantra 09 - Only Love 10 - St. Pancras (Live) 11 - Infinitum (Conception Barham) LINK |
This band started their career in Surrey and were earlier known as The Few and The Silence. They were discovered by Simon Napier-Bell who once was a manager of The Yardbirds. He brought them to London and they were renamed John's Children by him. Because of their limited muscial ability the band didn't play on the first two singles. The backing tracks were recorded by sessionmen and only Andy Ellisons vocals appear on the 45's. Their first 7-inch "Smashed Blocked" done well in the USA and it reached the Top 100 over there. White Whale offered them a record deal and the result was the eminently forgettable "Orgasm" album. The songs were played live in the studio by the band and overdubbed with screams and shouts from the Beatles movie "A Hard Day's Night". Thankfully their singles were much more better and Bam Caruso compiled back in 1987 (Bam Caruso KIRI 095) all the 45's. And you might know that Marc Bolan was a part-time member and recorded with them two 7-inches ("Desdemona" and "A Midsummer's Night Scene"). All in all a fine mod/pop-art band that will please fans of The Creation, The Eyes, The Who. 01 - Smashed Blocked 02 - Just What You Want - Just What You'll Get 03 - Desdemona 04 - Remember Thomas A'beckett 05 - It's Been A Long Time 06 - Arthur Green 07 - Strange Affair 08 - Midsummer Night's Scene 09 - Sarah Crazy Child 10 - Jagged Time Lapse 11 - Go-Go Girl 12 - Come And Play With Me In The Garden 13 - But She's Mine LINK |
Blues rock band from Baton Rouge. Potliquor hailed from Louisiana and straddled the line between country, blues, southern rock and hard rock...all the while throwing in horns just to keep things fresh. With a powerful singer in George Ratzlaff, Potliquor were able to muster some pretty inspired moments on vinyl. This, their elusive second album, "Levee Blues" is widely considered their artistic peak. With an ensemble of female background vocalists in tow, the album bears a certain gospel charm that some of their other efforts were missing. 01 - Cheer 02 - The Train 03 - Levee Blues 04 - Rooster Blues 05 - Chattanooga 06 - You're No Good 07 - Lady Madonna 08 - When God Dips His Love In My Heart 09 - Beyond The River Jordan LINK |
Fat Water hail from Chicago and fit very nicely into the dual male/female lead vocals of the late '60s and early '70s. The vocals are very much of the west coast San Francisco scene of that time and bring the Airplane's Grace Slick immediately to mind. Musically, the vocals are matched with acoustic guitars and swirling organ which gives a country rock feel that flows easily from full tilt boogie to slow blues."
01 - I Can Be Happy
02 - Joshua
03 - Amalynda Guinevere
04 - Gimme Your Sweet
05 - Guitar Store Song
06 - Only For The Moment
07 - It' S Not The Same
08 - Wayback
09 - Waiting For Mary
10 - Mistress De Charmaign
11 - Santa Anna Speed Queen
12 - Gotta Get Together
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